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The Performance of 16th-Century Music: Learning from the Theorists by Anne Smith

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The Performance of 16thCentury Music Learning from the ~ Get this from a library The Performance of 16thCentury Music Learning from the Theorists Anne Smith Most modern performers trained on the performance practices of the Classical and Romantic periods come to the music of the Renaissance with wellhoned but anachronistic ideas Fundamental

The Performance of 16thCentury Music Learning from the ~ Most modern performers trained on the performance practices of the Classical and Romantic periods come to the music of the Renaissance with wellhoned but anachronistic ideas Fundamental differences between 16thcentury repertoire and that of later epochs thus tend to be overlookedyet it is just

The Performance of 16thCentury Music Paperback Anne ~ Most modern performers trained on the performance practices of the Classical and Romantic periods come to the music of the Renaissance with wellhoned but anachronistic ideas Fundamental differences between 16thcentury repertoire and that of later epochs thus tend to be overlookedyet it is just these differences which can make a

The Performance of 16thCentury Music Learning from the ~ Smith Anne The Performance of 16thCentury Music Learning from the Theorists Oxford Oxford University Press 2011 ISBN 9780199742615

The Performance of 16thCentury Music Learning from the ~ Richard Wistreich Early Music About the Author For almost forty years 16thcentury music particularly on renaissance flutes has been one of Anne Smiths central interests She has spent most of that time at the Schola Cantorum Basiliensis in Basel which provides an ideal environment for live research on historical performance practice

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